Hugh Masekela

Legendary South African Trumpeter Hugh Masekela is an innovator in the world music and jazz scene and is an active performer, composer, producer and a defining force in the struggle for human rights in both Africa and around the world. If you are a child of the 60s, surely you remember his hit “Grazing in the Grass.”

“Hugh Masekela is a musician with a real soul. He has a genuine warm, charismatic, and simple way of building special relationships, both with his fellow musicians and with an audience” (London Jazz).

Barakat! (Enough!)

Barakat! (Enough! ), Djamila Sahraoui, Algeria/France, 2005, 95 minutes, in French and Arabic) In this beautifully observed drama set during the Algerian Civil War, a doctor sets out, with assistance of an older woman (and no help from the authorities), to find her missing journalist husband.

Is the Fine Arts Center Concert Hall really that ugly?

Check out one person’s opinion here

I work in a neobrutalist building. I hate it. I look out my window at what would easily be the most-hated building in all of Massachusetts if it weren’t for the fact that the UMass Amherst campus is too far from Boston to be known statewide. This would be the Fine Arts Center (see above), a gigantic nightmare of concrete slaps that look to have been salvaged from the Berlin Wall. It compensates for ugliness by also being leaky, drafty, damp, and soulless. Seeing a performance at the Fine Arts Center has all the intimacy of making love in Aisle Three of your local Wal-Mart, except that Wal-Mart has better lighting.

Preserve this junk? I think not.

What do you think?

Umlando – Through My Father’s Eyes

Free public screening of “Umlando – Through My Father’s Eyes” featuring legendary South African musician Hugh Masekela and his American-born son Salema, an ESPN reporter for FIFA World Cup. Together they explore the people, culture and inspiring landscape of South Africa and the nation’s history. This 10 part series was featured during 2010 FIFA World Cup.
45 minutes

Co-sponsored by UMass Fine Arts Center, The Feinberg Family Distinguished Lecture Series and the Department of Sports Management.
Then come experience Hugh Masekela in concert on Wednesday, October 13 at 7:30pm in Bowker Auditorium. $30, $20; Five College/GCC/STCC students and youth $10. 1-800-999-UMAS or www.fineartscenter.com

Balé Folclórico da Bahia

The 38-member troupe of dancers, musicians, and singers performs “Bahian” folkloric dances of african origin that features slave dances, capoeira (a form of martial arts), samba, and carnival dances.

“You could call it the Brazilian ‘Blast’ or the Bahian ‘Riverdance.’ With them one speaks in superlatives: the operative tempos are frenetic, the movement furious, the colors hallucinogenic…” (The Boston Globe).

Lionel Loueke Trio

Hailing from West Africa, this rising star guitarist delivers African and Brazilian flavors on top of downright wicked jazz.

“His ear-friendly melodicism draws both from traditional African sources and a lifetime of closely studying the likes of Jim Hall and George Benson, and his rhythmic shifts come quickly and packed with surprises” JazzTimes.

John Anthony Kendrick: “An Artist at Rest”

Through a series of compelling drawings and paintings, this show honors the promising artist who received his MFA degree from the UMASS Art Department and died suddenly in 1982 at the age of 29 while studying to receive his doctorate at the University of Illinois.

John Anthony Kendrick was born on November 6, 1952 in Roanoke, Virginia. During his early elementary school days his art talent became known, especially during the art talent shows that displayed many of his works from the fence of the school yard. After intermediate school, he decided he would attend the High School of Art and Design. There he studied painting, exhibiting tremendous creativity.

John Anthony Kendrick completed carvings, sketches, oil on canvas and portraits, and used his talent to mentor those who were incarcerated, as well as the students he mentored as a doctoral candidate. While growing up in Harlem, his vision would walk with him to sketch the surrounding life on the streets. He also used comic books, magazines and photography to help pull his vision into the art world.

With an enormous talent, he was always such a serious young man, taking in all he could during his short life to learn about art and its history. Dedicated to his work, he never stopped to take a break. He set goals and was determined to succeed. While working to achieve his goals, he bartered many of his works in return for services (such as dentistry). He also sold one of his earlier works to Earl Monroe former NBA player.

His sister Gay Chestnut, who is the curator of this exhibit attests: “After his death, many of his works of art were left behind, diminished into the unknown from his last known residence. Many others were displayed and protected by the love of our mother prior to her death. John Anthony Kendrick is ‘an artist at rest.’ As the works of art he left behind continues to be displayed, the silence of his talent now opens up to the world.”

Cedar Lake Contemporary Ballet

An exceptionally talented corps of sixteen dancers performs new works by the world’s most sought-after emerging choreographers. Through their daring, athletic movement and integration of ballet into contemporary and popular forms, the dancers of Cedar Lake take audiences on an unforgettable choreographic journey.

The FAC program includes important new works by some of the world’s leading choreographers. Exploiting the company’s talents, Joe Strømgren‘s Sunday Again weaves abstract movement patterns with baroque musical ornamentation from Johann Sebastian Bach to tell the simple story of a couple taxed by the quirks of cohabitation. In Jacopo Godani’s Unit Reaction the dancers are pushed until they release themselves from the cerebral and are totally immersed in the purely physical qualities of dance. Tinged with irony and humor and set to a varied score, acclaimed Dutch choreographer Didy Veldman’s piece frame of view investigates how emotion can energize and overtake the body.

“A star in Europe, Cherkaoui made Orbo Novo for the New York-based troupe, his first for an American company, whose 15 dancers not only owned the intricately athletic moves but also breathed a kind of spectral life into them” (Victoria Looseleaf, Los Angeles Times).

Christine Blue Lamb Toubeau

Toubeau’s paintings take us in to a world where the future is now. Her compositions depict humans and robots interacting in ways and places which may be simultaneously startlingly odd and yet eerily familiar.


In her undergrad illustration and design work at Massachusetts College of Art and throughout her more recent explorations in the MFA Program at Umass Amherst, Toubeau developed work investigating the global economy’s effect on human labor under exploitive conditions. This path fed her fascination with robots. Toubea’s position is that robotics are highly agreed upon to be the next world scale work force which will most likely replace most of third world human laborers. This led her to visually describe our interaction with machines and cyborgs.

This exhibition is part of Central Gallery’s T.E.A.C.H. Program (Teachers Exhibiting At Central and Hampden).

Balam Soto: Digital Transition

Balam Soto creates interactive paintings, murals and installations by combining digital technologies with mixed media. The exhibit represents Soto’s transition from traditional to new media. As he states: “Digital technologies are taking a prominent place in the world of art and I take full advantage of this new tool. I use these emerging technologies to create custom hardware and software that add an interactive capacity to my artistic creations. I program my colorful and vibrant works to react to the presence or behaviors of individuals. Soto works so that the individual becomes part of the creative process by affecting changes in light, color or sound in the creative works, providing a seamless interaction between human and technology.”

Prolific and innovative, Balam Soto has exhibited in fine art venues worldwide. Venues include the Queens Museum of Art in New York; Everhart Museum of Natural History, Science & Art in Scranton; Pennsylvania, Colo Colo Gallery in Massachusetts; the Centre Cultural in Brussels, Belgium; the National Library of Cameroon in West Africa; and Museum Miraflores in Guatemala City, Guatemala among numerous others. In November 2009, he was awarded with the “Latino de Oro” [Golden Latino] Award for Arts & Culture in Connecticut; he was also awarded an Official Citation by Hartford, Conn. Mayor Eddie Perez. In April 2008, he was honored with a Diploma of Recognition as a master by the National Congress of Guatemala for “being a valuable and outstanding Guatemalan with international success.”

Balam Soto is currently based in Hartford, Connecticut. An online portfolio of his artwork and a complete list of exhibitions and honors may be viewed at: http://www.balam.us/.